Keywords: intime, extime, cinétopie, collectif, archipel, Corps sans Organes
The author proposes to approach the atmosphere through the prism of cinétopies and basing especially on a musical work of Nicolas Frize. If the work of the artist refers mainly to the notion of soundscape, what happens if we grasp it in terms of ambiance? In return, how do the revealed ambiances enlighten on the nature of the operating ambiance in the cinétopies? This intervention is the opportunity to test these very general questions from a specific example and from the dialectic of intensity it implements.